This is the first of three pieces published in collaboration with Queer East Film Festival, whose Emerging Critics project brought together six writers for a programme of mentorship throughout the festival.
Qinghan Chen
This year, Queer East presents a more defiant stance to the public. I felt it within the first three minutes of Takeshi Kitano’s Kubi, the festival’s opening film. When a headless corpse suddenly appeared on screen, I covered my eyes and nearly screamed out loud. In the next two hours, heads were severed with the flash of blades; homoerotic scenes were folded into the political intrigue. I closed my eyes more than once, retreating into the darkness, anchoring myself emotionally. When a disfigured head was kicked off-screen, the film ended. I fully understood what curator Yi Wang had joked about in his opening introduction: if you feel uncomfortable, please close your eyes.
In the cinema, I never know whether each passing moment will shock or stun me. Moving images pour down like a waterfall, an overused metaphor for queer desire, yet they are still potent enough to shatter my boundaries. But I can choose to close my eyes. With this act, my attention shifts away from the images on screen and turns inward, toward my own body. As a result, I become more aware of my existence. It feels like my eyes are building a temporary shelter, guarding my perception and granting me respite. When I am ready, I can open my eyes and jump back into that fleeting in-between space between myself and the screen. Perhaps I could discover new interactions between films and space.
I experienced a perfect accident after traveling an hour and a half to reach the ESEA Community Centre, where the short film programme Counter Archives was held. The screening room is a narrow space with a skylight, loosely covered by a piece of black fabric. Due to British summer time, the lingering daylight disrupted the images on the screen, making them blurry and erratic. Yet this imperfection created a unique feeling for me.
No Hannity on your home screen, at least for now. Photo:…
The Cybertruck failed to catch on with car buyers due to high prices and some…
Decline in Gallup’s October reading. Figure 1: U.Michigan Economic Sentiment, using Cummings Tedeschi adjustment (blue),…
Bitcoin Magazine Books opened a third-anniversary campaign Friday for Aaron van Wirdum’s The Genesis Book,…
On election night, as Republicans lost both chambers of Congress, President Donald Trump finally acknowledged…
California is still counting the votes for the 2026 election, but the controversial billionaire wealth…